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Showing posts with the label Ink painting

Plum Blossoms in the Snow: Why Korean Painters Loved the First Flower of Winter

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At the end of winter, before anything else in the garden wakes up, a bare plum branch puts out its first flowers. There may still be snow on the ground. For centuries, Korean painters and poets treated that small moment as one of the most meaningful sights of the year. The first flower in the cold The plum, maehwa (매화) in Korean, blooms while snow and ice are still around. Across East Asia that made it a symbol of purity and resilience: a flower that does not wait for easy weather. Together with the pine and the bamboo, which stay green through the cold, it belongs to the "Three Friends of Winter." One of the Four Gentlemen The plum is also one of the sagunja (사군자), the "Four Gentlemen": plum, orchid, chrysanthemum and bamboo. Each plant stood for qualities admired in the ideal Confucian scholar, such as uprightness, purity and perseverance under hard conditions. All four became favorite subjects of literati ink painting, because a branch, a leaf or a st...

Ink Wash and Empty Space: What Korean Ink Painting Leaves Unpainted

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Most paintings try to fill the page. Korean ink painting often does the opposite. A mountain is a few dark strokes, the mist around it is bare paper, and the painter stops long before the surface is covered. What is left out matters as much as what is painted in. One stick of ink, many shades Ink painting in Korea is called sumukhwa (수묵화), "water and ink painting," and its main material is very simple. The ink, meok (먹), is a solid stick made from soot, traditionally from burned pine, bound with animal glue, pressed into a mold and dried slowly. To use it, the painter grinds the stick against an inkstone with a little water. Brush, ink, paper and inkstone were the four essentials of a scholar's room, known in Korea as munbang sau , the "four friends of the study." With nothing but black ink and water, the range has to come from tone. Add more water and a stroke turns soft grey; load the brush with ink and it turns deep, glossy black; let the brush run ...

The Carp and the Dragon Gate: A Korean Symbol of Perseverance

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There is an old story about a fish that refuses to stay where it was born. Every year, it is said, carp swim up the Yellow River against the current until they reach a roaring stretch of rapids called the Dragon Gate. Most are swept back. The few that leap the falls are transformed into dragons. From a river legend to an exam The legend comes from China, where the Dragon Gate was tied to the mythical flood-tamer Yu, and it soon became a picture of one particular kind of success: passing the imperial civil service examinations. Those exams were famously hard, and passing them meant an official post and prestige for a family for generations. A carp jumping the falls became the standard image for a student who finally made it. Korea chose its officials by examination too. Under the Joseon dynasty the state exam was called gwageo , and the story came along with it. Korean still has an everyday word from it, deungyongmun (등용문), "climbing the dragon gate." It originally me...